HexagonWorld wrote:

Platypus_WKeyboard wrote:

HexagonWorld wrote:

Platypus_WKeyboard wrote:

HexagonWorld wrote:

Fully prepared for Dot and Bubble to be one of those Doctor Who episodes that has a very important Message but falls flat on its face.

It'll be like that wifi episode, or the Idiots Lantern.

Still haven't gotten over the awful ending of Idiot's Lantern.

Also, we have a new trailer!

Oh right, Rose telling an abused kid to go back with his awful dad?

Watched it! I am in disbelief that Space Babies is a real thing. The episode is 100% going to have a horror twist right?

Yep!

When you're a Doctor Who fan, you have to make a choice between thinking every character is Susan and every character is the Rani and I chose Susan.

lol

Charles12310 wrote:

(#13)
I really think this should be useful because in there could be a wait when a block is runned.

play sound [sound v] for () secs :: sound

DotDash wrote:

(#11)
maybe ST could add a dropdown on the stop all sounds block so you could choose a specific sound, but it still has all in the dropdown.

There is a

 start sound [sound v] at () seconds :: sound 

block and a

 play sound [sound v] starting at () seconds until done :: sound 

block in Snail IDE, along with a

 stop sound [sound v] :: sound 

block.

Ian6464 wrote:

is this code how you make a report detector? /\
|
|
|

No, you need other code with the mouse pointer, but please do not necropost (post on old topics), and report detectors are bad as said above.

Platypus_WKeyboard wrote:

HexagonWorld wrote:

Platypus_WKeyboard wrote:

HexagonWorld wrote:

Fully prepared for Dot and Bubble to be one of those Doctor Who episodes that has a very important Message but falls flat on its face.

It'll be like that wifi episode, or the Idiots Lantern.

Still haven't gotten over the awful ending of Idiot's Lantern.

Also, we have a new trailer!

Oh right, Rose telling an abused kid to go back with his awful dad?

Watched it! I am in disbelief that Space Babies is a real thing. The episode is 100% going to have a horror twist right?

Yep!

When you're a Doctor Who fan, you have to make a choice between thinking every character is Susan and every character is the Rani and I chose Susan.

Why hath project ideas dieth?
——
Why is the Project Ideas forum so dead? In the “Making Scratch Projects” category, the second least popular forum, Project Save & Level Codes, which was made more recently, has over 2x the amount of posts compared to project ideas.

For comparison, Project Ideas has been around as early as 2013, whereas Project Save & Level Codes began mid 2022, which means that the Project Ideas has had around 7639 posts per year on average, whereas Project Save & Level Codes has had a whopping 96664 posts per year, which is around almost 13x as many posts per year, and counting.

Just a small question I had, I know the answer very well could be that people don't want to share their ideas, don't have any, or just don't know about the forum at all. If you look at the front page of Project Ideas you can see topics made yesterday that are still on the front page, which in most other subforums in the “Making Scratch Projects” category don't even have posts made hours ago on the front page.

Thanks for taking the time to read my little analysis of the “Making Scratch Projects” section, and have a good Easter/April Fool's.

Edit: I decided this was too much text to be in the small tag, so I put the first part in big tags for emphasis.

Edit2: I felt that I should add that the directory for Project Ideas has a grand total of 106 views, which is by far the least amount of views on a directory compared to 18148 views in the Help with Scripts directory, 488 in the Show and Tell directory, 11691 in the Collaborations directory, 6022 in the Requests directory, and 2228 views in the Project Save & Level Codes directory, as of posting this topic.

igtnathan5 wrote:

CreativeStegosaur wrote:

oopsied wrote:

UninspiredTyrannosaurusRex wrote:

MrBeastTiktok!?!?!? wrote:

I wanna be the ip address (top 5000 platformer extrem demooon, for dalis spookyhac)

153_25_1_1_1す1ⓖ1す1ⓖ1h5a4a5a1a50a1b2a1a2a1a2c1a2a1a2a1b2a1b21a16z20a1o4c1ʏ1o2b1b2a3b1a2a3a1c2a1b15a17z13a1ⓛ28b1ᴀ1m50a1a2c1a2a1c2b1c2a1b18a14z19a1ⓙ2a1c2a1j2b1b2c1a2a1a2a1a2c1f2b1c3b1b3a1a3a1j1o2a3a2a1a2c1a2a1a2a1a3a2a3a1g4a1t50a1ⓙ2a1a2c1k2a1b2a1a2a1a2a3a1b2a3b1f2a1a2a1b2a1b2a1a2a1a2a1a2a1a2a1a2a1c1b2c1a2c1b2a1ᴘ2a1b2a1a2a1a2a1a5a2a1c3a1a2a3b1c2a1a2a1d3a2a3a1a2a3a2a1a2a1a2a1a2a3b1f2b1b3a2a3a1a2a1a2a1a2a1i1b2a1a2a1a2a1d2a1t2c1a2c1a2a1c2b1b2a1a2c1a2a3a1y2a1b2a3a2a1a2a1a2b1k2a3a2a1y2a1a2a1b2a1b2a1c2a1i1b2a1c2c1b2a1t2a1a2a1a2a1a2a1a2a3b1b2a1b2a1a2a3b1a2a1a2a1w3a2a3a1a2a1a2a1a3a1a2a3a1k2a1a2a1y2b1t1b2c1a2a3b1a3a2a3a1s2a1a2a1a2a1a2a1a2a1a2a1a2b1b2a1a2a1c2a1a2a1ⓣ2c1ⓤ1ⓕ2c1a2c1a2c1a2a3a1b3a1a2c1a2b1あ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a1/4a1ᴜ4a1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a153_25_1_1_0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ153_25_1_1_0す0ⓖ0ja0す0v0gd0ea0す0p0hb0ⓦa0せ0pa0gb0ⓘc0ac0ac0ⓧb0ha0le0c0ya0ⓘg0aa0ta0ⓔb0od0j0ʜa0bd0aa0ha0ⓞa0ab0cc0w0ca0ⓔa0ya0bd0aa0ha0ⓠa0dc0w0ia0ya0ⓒa0ʜb0x0ma0ua0ob0ᴠa0aa0w0す0gb0x0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ153_25_1_1_1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1ʜ2c1a2c1a2c1<1ʜ2a1c2a1a2a1a2a1;1ʜ2a1c2a1a2a1a2a1;1ʜ2a1c2a3a2a1a2a1;1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ|

Cool level
edit : wow you made the platformer 153 blocks long

I remade the level to have insane straightfly and narrow corridors and i can say its top 1!!!
(yes the codes short its kinda repetitive and basically a layout lol)

92_13_1_1_1ず1ず1l4h1x4a1a4a27a4a1x5a4a2k4a1d2a1ⓡ63a1b4a27a1z5b4a2f4b1e2a1ⓡ27a1c4a1s34a1c27a1e5a4c2a4a1g2a3ⓡ2a3d1w2a28a27a28a1a27a1d4a1b27a1e2a1ⓥ4a1j27a28a27a28a27a28a27a28a27a28a27a28a27a2d27a2a27b28b1b27a2a1e2a1j6a1c6a1f6a1a6a1m6a1c6a1b6a1n2w28a27a2b1e2a1h6a1p6a1e6a1ⓐ2ⓐ1e2a1c6a1h6a1g6a1b6a1k6a1e6a1d6a1l2ⓐ1e2a1=2a1e6a1c6a1e6a1c6a1a6a1b6a1d6a1g6a1c6a1b6a1c34a1ⓟ2a1=2a92_13_1_1_0ず0ず0ず0ғ33a0ⓐ33a0d33a0=0ず0ず0ず0ず0ず0ず0ず0ず92_13_1_1_0ず0ⓣc0ⓠⓦ0ⓠⓨ0wa0qⓦ0s414141624641456240a0w0=a0ғa0ⓕ0ea0_a0ⓕ0ea0ᴘc0la0a0ca0aa0{a0a0db0ma0ǫa0a0ea0ⓟ4562463645456239a0ⓠ0ず92_13_1_1_1ず1ず1ず1ず1ず1ず1ず1e2a1a2d1a2c1b2a1a2c1a2c1a2a1a2b1b2a1c2a1a2d1a2c1ⓢ1e2a1b2a1f2a1c2a1a2a1c2a1e2a1e2a1b2a1c2a1a2a1ⓢ1c2a1a2a1c2a1b2c1d2c1a2c1c2b1d2c1c2a1b2a1a2a1ⓢ1d2b1a2a1b2a1a2a1f2a1c2a1a2a1c2a1e2a1a2a1a2a1b2a1a2a1a2a1ⓢ1e2a1b2b1b2d1c2c1a2c1c2c1c2a1a2a1b2b1b2c1ⓢ1ず|

Wait how do you know my ip

haha this is a joke right? right?!

yeah its a joke

HexagonWorld wrote:

Platypus_WKeyboard wrote:

HexagonWorld wrote:

Fully prepared for Dot and Bubble to be one of those Doctor Who episodes that has a very important Message but falls flat on its face.

It'll be like that wifi episode, or the Idiots Lantern.

Still haven't gotten over the awful ending of Idiot's Lantern.

Also, we have a new trailer!

Oh right, Rose telling an abused kid to go back with his awful dad?

Watched it! I am in disbelief that Space Babies is a real thing. The episode is 100% going to have a horror twist right?

when I start as a clone
delete this clone
delete this clone

Seems a bit cruel to essentially disregard visually impaired people as a joke.

ceeslay critique <3

hi ceeslay! overall i loved your piece, the imagery is amazing and i also really like your stylistic choices in description! i think there is basically not much to point out in terms of general things, but i did notice that you repeated a certain phrase twice “thin line” and while it's a good comparison between jacob and his mother i also kinda found it repetitive (( but it's a nitpick because i can't really find anything else. also, jacob said that he already participated in the festival but there aren't really any details about that so i was a bit confused on what exactly he did, since “greeting people at the festival” kinda implies that it is only the beginning of the festival? honestly other than that i have nothing to bring up: the themes, plot, pacing, all that jazz, are very well done!!

CreativeStegosaur wrote:

oopsied wrote:

UninspiredTyrannosaurusRex wrote:

MrBeastTiktok!?!?!? wrote:

I wanna be the ip address (top 5000 platformer extrem demooon, for dalis spookyhac)

153_25_1_1_1す1ⓖ1す1ⓖ1h5a4a5a1a50a1b2a1a2a1a2c1a2a1a2a1b2a1b21a16z20a1o4c1ʏ1o2b1b2a3b1a2a3a1c2a1b15a17z13a1ⓛ28b1ᴀ1m50a1a2c1a2a1c2b1c2a1b18a14z19a1ⓙ2a1c2a1j2b1b2c1a2a1a2a1a2c1f2b1c3b1b3a1a3a1j1o2a3a2a1a2c1a2a1a2a1a3a2a3a1g4a1t50a1ⓙ2a1a2c1k2a1b2a1a2a1a2a3a1b2a3b1f2a1a2a1b2a1b2a1a2a1a2a1a2a1a2a1a2a1c1b2c1a2c1b2a1ᴘ2a1b2a1a2a1a2a1a5a2a1c3a1a2a3b1c2a1a2a1d3a2a3a1a2a3a2a1a2a1a2a1a2a3b1f2b1b3a2a3a1a2a1a2a1a2a1i1b2a1a2a1a2a1d2a1t2c1a2c1a2a1c2b1b2a1a2c1a2a3a1y2a1b2a3a2a1a2a1a2b1k2a3a2a1y2a1a2a1b2a1b2a1c2a1i1b2a1c2c1b2a1t2a1a2a1a2a1a2a1a2a3b1b2a1b2a1a2a3b1a2a1a2a1w3a2a3a1a2a1a2a1a3a1a2a3a1k2a1a2a1y2b1t1b2c1a2a3b1a3a2a3a1s2a1a2a1a2a1a2a1a2a1a2a1a2b1b2a1a2a1c2a1a2a1ⓣ2c1ⓤ1ⓕ2c1a2c1a2c1a2a3a1b3a1a2c1a2b1あ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a1/4a1ᴜ4a1す1ⓕ4a1す1ⓕ4a1す1ⓕ4a153_25_1_1_0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ153_25_1_1_0す0ⓖ0ja0す0v0gd0ea0す0p0hb0ⓦa0せ0pa0gb0ⓘc0ac0ac0ⓧb0ha0le0c0ya0ⓘg0aa0ta0ⓔb0od0j0ʜa0bd0aa0ha0ⓞa0ab0cc0w0ca0ⓔa0ya0bd0aa0ha0ⓠa0dc0w0ia0ya0ⓒa0ʜb0x0ma0ua0ob0ᴠa0aa0w0す0gb0x0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ0す0ⓖ153_25_1_1_1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1ʜ2c1a2c1a2c1<1ʜ2a1c2a1a2a1a2a1;1ʜ2a1c2a1a2a1a2a1;1ʜ2a1c2a3a2a1a2a1;1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ1す1ⓖ|

Cool level
edit : wow you made the platformer 153 blocks long

I remade the level to have insane straightfly and narrow corridors and i can say its top 1!!!
(yes the codes short its kinda repetitive and basically a layout lol)

92_13_1_1_1ず1ず1l4h1x4a1a4a27a4a1x5a4a2k4a1d2a1ⓡ63a1b4a27a1z5b4a2f4b1e2a1ⓡ27a1c4a1s34a1c27a1e5a4c2a4a1g2a3ⓡ2a3d1w2a28a27a28a1a27a1d4a1b27a1e2a1ⓥ4a1j27a28a27a28a27a28a27a28a27a28a27a28a27a2d27a2a27b28b1b27a2a1e2a1j6a1c6a1f6a1a6a1m6a1c6a1b6a1n2w28a27a2b1e2a1h6a1p6a1e6a1ⓐ2ⓐ1e2a1c6a1h6a1g6a1b6a1k6a1e6a1d6a1l2ⓐ1e2a1=2a1e6a1c6a1e6a1c6a1a6a1b6a1d6a1g6a1c6a1b6a1c34a1ⓟ2a1=2a92_13_1_1_0ず0ず0ず0ғ33a0ⓐ33a0d33a0=0ず0ず0ず0ず0ず0ず0ず0ず92_13_1_1_0ず0ⓣc0ⓠⓦ0ⓠⓨ0wa0qⓦ0s414141624641456240a0w0=a0ғa0ⓕ0ea0_a0ⓕ0ea0ᴘc0la0a0ca0aa0{a0a0db0ma0ǫa0a0ea0ⓟ4562463645456239a0ⓠ0ず92_13_1_1_1ず1ず1ず1ず1ず1ず1ず1e2a1a2d1a2c1b2a1a2c1a2c1a2a1a2b1b2a1c2a1a2d1a2c1ⓢ1e2a1b2a1f2a1c2a1a2a1c2a1e2a1e2a1b2a1c2a1a2a1ⓢ1c2a1a2a1c2a1b2c1d2c1a2c1c2b1d2c1c2a1b2a1a2a1ⓢ1d2b1a2a1b2a1a2a1f2a1c2a1a2a1c2a1e2a1a2a1a2a1b2a1a2a1a2a1ⓢ1e2a1b2b1b2d1c2c1a2c1c2c1c2a1a2a1b2b1b2c1ⓢ1ず|

Wait how do you know my ip

haha this is a joke right? right?!

Skadoodly wrote:

7salad3salad wrote:

Skadoodly wrote:

ajsya wrote:

Skadoodly wrote:

7salad3salad wrote:

St_Pupcake wrote:

Shark just tried to murder me again, and just declared that the non pvp zone in Mantisburgh was void? Who gave him this authority? He’s just targeting me because he’s too afraid of everyone else in my nation. Just keeping you updated. Shark needs to be de opped. He’s broken the rules about 5 too many times.

what rules did he break specifically

No combat is permitted in claimed land unless allowed by the owner (it wasn't)

It's funny how you were the one to hit first.

I would also like to clear the situation up publicly on the forums by saying that the original killing of Wulvie was a mistake (I did not realize that it was against the rules), and I have since made up for it. The killing of Shy, even though it happened in Mantis, was justified self-defense because I was attacked by her with an axe. Then of course the last skirmish in Mantis mentioned above was also justified because I wasn't even the one who started it!

I was floating around in the water in Mantis when Skood joined the game. He asked Wulvie whether or not PvP was allowed in Mantis when he saw me. Wulvie said no, it wasn't allowed. 2 minutes later Skood krits me with his sword. This is how the battle started! He broke the pvp rules willingly in his own nation! Later Skood would also shoot arrows at me in neutral Spain as well.

I haven't broken the rules on killing in claimed territories since the first incident.

Nuh uh

there is no way that brother just responded to a well thought out argument with “Nuh uh” this is such a Gen Alpha moment

nuh uh

yuh huh

oopsied wrote:

Paulottix_Music wrote:

oopsied wrote:

Hey all,
Daliscreator and I are hosting a 1400 block long megacollab. The level will be about top 5 to top 1 difficulty, and will be similar to Limbo, in which it will be a memory demon. There will be 14 total parts, each 100 blocks long. The schedule is like this:
Part 1 - CreativeStegosaur
Part 2 - Paullottix
Part 3 - daliscreator
Part 4 - Trigonometrical
Part 5 - igtnathan5
Part 6 - mrtidwinkle
Part 7 - oopsied
Part 8 - CreativeStegosaur
Part 9 - Paullottix
Part 10 - quartay
Part 11 - Trigonometrical
Part 12 - igtnathan5
Part 13 - mrtidwinkle
Part 14 - oopsied

I'm in!

yay

me too

ABC124816 wrote:

ABC124816 wrote:

Guys, I drastically modified my code, keeping the old script on the right. And it works on constant gravity, and switching gravity works… sometimes and only when you go slowly. In fact, it looks more buggy than my previous code. Can someone tell why my code isn't working? The detection is not by hitbox now, but through the following logical deductions:

Moving out of a hit bottom or top platform takes less than the absolute size of the v2 value, if it takes more than that to move out, then it must be a wall. Then, if v1 is positive (meaning the player moved to the right.) then it was a right wall. Else, it was a left wall.

Is my code not implementing this logic correctly, or is there something wrong with the logic itself? Or it is hitting the walls in too many directions? Or something else?

I need feedback please!

see if adding a delay between changes (through a variable, not through wait) can make it not switch to upside-down

ArnoHu wrote:

In the latest GoK version, I reduced the effect of mobility evaluation significantly. I think it simply generated too much noise. The mistake was that I tried which values would prevent trapped queens or rooks, but the same values might just screw up positional evaluation when there is no real danger despite reduced mobility.

In a first test game, GoK (Medium, white) took on Element (6+8), and played a perfect game, winning in 40 moves. Element played great too, its only blunder was not considering en-passant: https://lichess.org/fUuTd7NV#79

Next game against White Dove (P4), one GoK mistake at move 39, which won't happen on Difficult, otherwise a fine game. GoK wins it at 93%: https://lichess.org/aMRTvOU7#107

MythosLore wrote:

DangerPuppy10 wrote:

I made a post similar to this. But, every year they do cat blocks for april fools. No need to suggest this.

the scratch team never said that they were going to add them, so it's still ok to suggest them.

Then why did I get bombarded with posts that I didn't need to suggest it, I will fire a lawsuit against them

bro cubeupload was working a few minutes ago what happened?

DangerPuppy10 wrote:

TheSmartGuy1234 wrote:

please tell me!!! the geometery das calculator says 21 and im not 212 yert!!!?!?!

There's no April fools in the forums this year. Check the announcements for some reasoning and explanation.
No way I just quoted the OP D: D: D: D:

also here's the link.
no way i just quoted a quote that quoted the op D: D: D: D:

-stxllxr wrote:

Chrome-Dog wrote:

But the thing is, Even if i click on post witch is new when its been up for 10 minutes or smth, its still new when others i havent clicked on been 1 minute, its already old.

If thy post hath been edited, it arises to thy top.
(When a post/topic has been edited in any way (moved, edited, deleted, etc.), it shows up as the “last post” on the front of the home page. This is likely why there's an old post as the last post.

Ah, Thank you for thee awnser, thy appreciate much.

very rushed very bad weekly ASDFS


Weekly 4:

- Jacob and Blythe, two teenage boys with very different statuses. Jacob is the crown prince, set to inherit the throne. Since birth, he has been raised to fill this role, and every aspect of his life revolves around it. Yet, he dislikes the responsibility that comes with it. He often wishes he was ordinary. He treasures freedom that so many take for granted.

- Blythe is a stablehand. He is a commoner and grew up as an orphan, extremely poor. Despite this, he is very bright, and quite intelligent. Though he has never formally attended school, he learns on his own time. If he had been born royal, he would certainly have had a high place in society.

- During an important festival, Jacob hides away from everyone, disappearing into the stables. There he meets Blythe and begs him not to give him away. Blythe reluctantly obliges, after Jacob promises that he will reward him for his silence.

- The two boys quickly become friends, and Jacob enjoys these bits of freedom. Being friends with Blythe makes him feel normal. He can ignore the weight of his duties, even if just for a few moments.

- Jacob often sneaks Blythe into the castle, where the two roam around. Nobody knows of their relationship, and it wouldn’t be beneficial for either of them if they were found out. A prince should have friends of a similar status and not interact closely with commoners.

- Jacob stole a large cake from the kitchens. On his bed, the two share it, and Jacob feeds Blythe pieces as he reads over one of the two’s favorite books. Some gets on Blythe’s cheek and before Jacob can stop himself, he brushes it away. Something passes between them and suddenly everything becomes awkward.

- They become something more than friends, but neither is able to accept it. They continue on as if nothing has happened, sharing secret moments and glances. Finally, Blythe makes the first move, kissing Jacob after he comes back from a trip to one of the neighboring kingdoms. Jacob does the same back, but guilt brews inside him. He has just been offered a marriage proposal to one of the neighboring kingdom’s princesses, an alliance that will greatly benefit their kingdom. However, he chooses not to tell Blythe, wanting to enjoy the relationship.


-They begin a secret relationship. As it furthers, and they become more intimate, Jacob reveals the truth, unable to keep it from Blythe any longer. He becomes extremely angry, saying that Jacob doesn’t treat him or the relationship secret and only wants to be with him to “rebel.” That he will toss him away at the first chance. He’s tired of being a secret lover.


(448 words)


Exposition:

Jason buttons up his shirt, tucking it neatly into his pants. Lace lines the collar, intricate detailing down the front and across the shoulders. He turns to his closet, pulling out a maroon vest. Gold designs decorate the entire front, depictions of blossoming flowers stretching upwards, with gilded buttons at the clasp.

He turns to the mirror, letting out a long breath. In the mirror, a tall figure stands, short straw-colored hair slicked back, piercing green eyes evident through a sea of freckles. Tailored clothing hugs every curve in his body, accentuating his small waist and broad shoulders. He rolls up the cuffs of his sleeves, revealing a gold bracelet and several rings, with gleaming green gemstones.

A prince.

Jason can barely recognize the person staring back at him.

Serious demeanor, cool, unbothered look in his eyes.

His mouth is a firm line.

Harsh angular brows.

(146 words)

Jacob reaches for his crown, placing it firmly atop his head. Strands of gold intertwine to form a gleaming circlet, embedded with rubies, held firmly in place. It feels heavy. An awkward weight. No matter how many times he does this, he doesn’t think he’ll ever truly get used to it.

How he longs to take it off, be free from the restrictions that bind him. To frolic in fields of flowers, pollen staining his clothes. Cool raindrops on his face, trailing down his neck. Damp strands of hair. He loves the earthy smell the morning after it rains.

Letting out a long sigh, Jacob opens his door, entering the hallway. His fantasies are just fantasies, after all. Unrealistic for a reason.

—–

Jacob waves at the crowds from his throne. His back aches from the rigid back, which digs into his spine. It is made of fine, imported cherrywood. The edges are encrusted with gold, which is melded into the grain of the wood. On the top, they form three spikes, curving outwards like waves. Another flashy display of their kingdom’s wealth.

He knows full well what commoners think of royalty. How they idolize them, worshiping them like gods. They cannot make any mistakes.

The crowds scream his name, cheering loudly as they press against each other, reaching up to get closer to him, desperate hands flailing in the air. Their bodies pack the narrow streets like sardines.

It’s exhausting.

Having to be perfect all of the time.

Presentable.

The forced politeness and smiles that he plasters across his features.

God, when will it end.

—–

Seven years old.

His nanny, Alicia, was reading Cinderella to him. Jacob sat cross-legged on the bed, eyes wide in excitement. Her storytelling was spellbinding, words making the characters come alive, emerging from the pages.

“What do you think of Prince Charming?” she asks him, a gentle smile upon her lips.

“He’s very brave,” Jacob murmurs, his head tilted to the side in thought.

“What about Cinderella? Do you think she’s beautiful? The perfect fit for a charming young prince like you.” The nanny laughs, ruffling his hair affectionately.

“But, I don’t want to marry her.” Jacob pouts. “I want to marry Prince Charming!”

Alicia freezes, eyes open in fear. The world stills. Jacob doesn’t understand what he has done wrong, yet he can see the wrongness of his answer reflecting in her features. The taste of the words on his lips

“Surely you don’t mean that,” she stammers. She grasps his shoulders tightly, shaking him back and forth in a panicked fervor. “Tell me you don’t mean it.”

“But, but I do mean it. He’s handsome and brave.” Jacob crosses his arms over his chest firmly. He twists out of her grip.

“You… you can’t. Princes can’t marry other boys.” Alicia cups his face in her palms, “Do you understand that, my sweet prince.” Her eyes are unfocused, flicking back and forth wildly, occasionally focusing back on him.

“Yes,” he responds dejectedly, trembling in her grip. “I understand.” As soon as the words are out of his mouth, she releases him, relief blossoming across her face. He immediately backs away, frightened.

Only then does he begin to understand what his responsibilities as a prince mean. Restrictions. The things he can and cannot do.

Choices that have been made for him.

The heavy weight of his crown.

—–

“Jacob, you need to go greet people in the throne room. There is a long line of people waiting for you,” Jacob’s mother, Queen Adeline, instructs. Her mouth is a firm line, brow furrowed.

“Why?” the words slip out from between his lips before he can stop them. He braces himself for a reaction, already knowing what the response will be.

“Because you’re the crown prince. This is your duty, your responsibility,” she chastises. The lines surrounding her mouth tighten in frustration. They’ve had this conversation so many times.

“I never asked for this. I don’t want this responsibility. You said that I had to participate in the festival. I did. I’ve served my purpose.” Jacob clenches his fists tightly at his sides.

“That’s not something you can change. Get prepared for the greeting. Make yourself presentable.” Queen Adelin commands, eyes narrowing.

“No,” Jacob says, voice dark and booming. Before he can reconsider, he breaks into a run, racing down the stairs, coattails flapping wildly behind him.

“Jacob,” Queen Adeline calls after him, her voice echoing throughout the palace, “Come back here,” she thunders. He ignores her words, blocking them out of his head. As he runs throughout the hallways, he tries to think of a place where nobody will think to look for him. His mind races.

He turns the corner, seeing a wall of horseshoes, pinned to the wall. Of course, the stables. He pushes open the door, the smell of manure making his nose wrinkle. Numerous stalls line the walls, horses heads peeking over the wooden doors. Upon seeing him, they stamp their hooves, nostrils flaring as they neigh loudly.

A tall figure stands at one of the stalls, coaxing one of the horses inside. He’s dressed in plain, fitted green pants, which hug his slight frame. Leather riding boots hit just below his knee.

“Hello,” Jacob starts. Immediately, he turns around. His pale blue eyes bore into Jacob’s, the intensity startling him. Short brown hair frames his face, accentuating his sharp features and high cheekbones. Intriguing.

“What are you doing in here?” The boy looks him up and down curiously, “Royals don’t usually come down here.”

“I…I need a place to hide,” Jacob says, “If you help me, I’ll reward you handsomely.” The boy folds his arms over his chest, eyebrows raised.

“What kind of reward?” he questions.

“Anything you want.”

“Ok, deal. You’d better keep your promise, or I don’t know if I can keep my lips sealed.” His lips quirk upwards into a small smirk. “Go into the broom closet over there.” He points to a small door next to Jacob. “I’ll cover for you if anyone comes in.”

(1007 words)

Ingredients used:

Jim Flabsdz (new character introduction)
Writing Utensils (foreshadowing)
Smalls (flashback)
Frying pan (symbol)
Gurtle (plot twist)


total is 1601 words

thank yous (march '23) <3

hosts, daily team coordinators, and fellow (co)leaders:
thank you all for this wonderful, hobbit-filled, gurtle-rampaging session! the second cabin wars was so fun, and starr that wonderful thumbnail- :0 this session will truly be one for the books, and i'm so happy that this lotr-themed session has been my favourite yet <3

hi-fi thank yous

rae:
aa, rae! this session has been absolute blast, and you made hi-fi what it is! your brilliant ideas shaped our cabin and i loved helping you bring your ideas to fruition. i got to know you so much and i loved how you made sure to check up on me and niko - that was so sweet and made my day <3 your artistic skills are out of this world, and that is not an exaggeration! your pfp left me speechless- :0 you were so kind and welcoming right from the very beginning, and you were so wonderful about my writing as well - it meant the world to me <33 thank you so much for this amazing session, and i can't believe it's ended </3

niko:
niko!! thank you for being such a brilliant co-leader and your experience really showed throughout the session - i absolutely loved the hi-fi pfps you made and if i wasn't so attached to this one, i definitely would've had one <3 i loved the conversations we had and enjoyed getting to know you! i really hope you were able to perfect your writing comp entry and you're happy enough for it to be submitted, whether for this session or a future one - feel free to reach out to me if you ever need someone to critique any of your writing, i'll happily do it <3 this session has been wonderful and you're a part of that <33

silvi:
aa, silvi! we were in steampunk together (which was amazing) and now we've made some brilliant memories in hi-fi! i've loved having you in my word count studio and i'm pretty sure you completed most, if not every, daily and weekly - you gained the most words in hi-fi this session! congratulations :0 <3 you did absolutely brilliantly and i'm so proud to have been your co-leader! <33

skylar:
skylar! i didn't get to know you very well this session - but feel free to drop by my profile any time even after session ends! you did so well this session and i'm really glad i had you in my word count studio! i hope this session was amazing for you <3

sunny:
heyy sunny! ;D i'm so glad you were put into my word count studio! as always, i loved speaking to you - you've convinced me to read the fourth skyward book as soon as i can! - and you're such a sweet, caring individual <3 your support for my writing is something i will always be grateful for! whether during or outside of swc, you've been an amazing writer and friend, and i wish you all the best with your writing! feel free to contact me if you ever need someone to critique your work, i'll gladly do it ;D i hope you enjoyed this session and took something from it <33

alaska:
aa, alaska! as i'm writing this, i've just read your thank you note and it warmed my heart so much! <3 you were a star this session, and reading your work bettered me as a writer which i am so grateful for - i loved encouraging you and i didn't even realise you saw my messages lol! i'm so happy that you've entered the writing comp and i wish you all the best for it! you're such a wonderful person, and i'm so glad i got to know you this session - feel free to drop by my profile even after swc ends <33

time:
time! i'm sad i didn't get to know you better, but it was wonderful having you in my word count studio - feel free to drop by my profile even after swc ends! you did great this session and i hope you enjoyed it in hi-fi <3

cactus:
cactus! i loved having you in my word count studio and you almost reached 13k words which is amazing! you were an asset to hi-fi and i hope i see you in future swc sessions i wish you all the best and i hope you enjoyed this session! <3

em:
although you joined later than the rest, you still did so well, em! i'm sad i didn't get to know you better but i'm so glad you were put into my word count studio - i hope you enjoyed it in hi-fi, and i hope to see you in future sessions <3

to all the rest of hi-fi:
there are just so many people to name and i'm on a huge time limit right now, so i'm sorry i can't name you all! </3 but i loved our hype-woman and every single camper who made hi-fi what it is - you held our cabin at sixth place, and although some may look down on that, i'm so insanely proud and grateful for every single one of you. you're all stars, and i wish you the best! <3

thank yous outside of hi-fi

tilly:
TILLY! aa, i've known you for the longest time and you've seen my writing back when i was a pre-teen with a keyboard to now - and i'm so grateful for all you've done to help me grow <3 the critique from earlier today is just the tip of the iceberg (that critique was amazing btw, i needed it so much- :0 i was reading your comments and saying “aah, yeah, i agree” lol) - your support for all of my writing projects goes back years and i thank you for being such a wonderful friend! i love that we bonded over being from the UK xD i wish you all the best, and hope to see you next session as well! <33

snowy:
SNOWYY! you're amazing and i cannot even summarise our conversations in just a few lines because there were so. many. of. them. and i loved absolutely every single one! you're a brilliant writer and an even more brilliant friend - i'm pretty sure the first time we properly talked was after i'd watched TBoSaS and that conversation went on for weeks! and your writing- :0 don't even get me started- girl, you're such a wonderful (i can't find another synonym lol) writer and i need to make time some time soon to read all your most recent pieces! (swc has been keeping me so busy but i WILL get round to it now) - i can't wait to see you next session! <33

clev:
clevvv! i've always briefly spoken to you over the sessions, but i felt so much closer to you this session! you were the reason i joined the frying pan cult (will never regret that!) and i've been seeing a lot of frying pans cropping up in my writing since then ;D your constant support is wonderful, and i will always remember the time, a few days ago, when we both submitted our dailies right when it hit 12 utc time- :0 that adrenaline rush thoughhh- amazing <3 i hope to see you next session!

poppy:
poppyyy! i've always seen you around during swc and maybe spoke to you once or twice before now, but i'm so glad we spoke more this session! i'm so honoured that i got to critique your writing, and just through your messages about the critique, i got to know the sweet, wonderful person that you are <3 i wish you all the best with your writing comp entry, and i hope to see you next session! <3

moonlit:
aa, moonlit! i only really got to know you last session when i was a panellist, but since then we've spoken so much more, and i'm super grateful for that <3 i just wanted to give you a quick thank-you for your wonderful messages and support - and of course your wonderful advice about applying for leader! it means the world and more to me <3

recca:
reccaa! i spoke to you so much this session, and i've loved all of our conversations! your bubbly nature is so contagious, you have no idea <3 your support has been so so very appreciated, and thank you so much for critiquing my fanfic entry! the title credits go to you and i am so grateful for it ;D i wish you all the best! <3

alia:
last but definitely not least: alia! <3 you're just overall an amazing person, so there's not much i can say that will be better than that, but i'll try - i've admired your writing from the sidelines for so long, and even helping to critique your writing was so hard- :0 you're a brilliant writer and an even better friend - thank you so much for nitpicking my fanfic entry lol, that's exactly what i needed! i wish you all the best in everything you do <3

and to you, dear reader:
if you've made it this far, you're likely one of my fellow swcers, and i just wanted to take a quick moment to say, i wasn't able to include all of you in this list, but i want you to know that i always saw you - your funny anecdotes and motivational mangoes, your rants about gurtle eating the link (again), your scoldings when i was up past midnight.
i adore all of you, and i hope to see you next session! ;D

with love and mangoes,
may <3

DangerPuppy10 wrote:

I made a post similar to this. But, every year they do cat blocks for april fools. No need to suggest this.

the scratch team never said that they were going to add them, so it's still ok to suggest them.

This was one of my favorite writing comp entries I've seen! It's really good, I'd love to see a sequel. It also sounds sort of poetry-like, which sounds very nice! Alright, on to the critiques: ‘your tiny head of poofy blonde hair at the park.’ Saying tiny head, even for a kid, sounds sort of weird? Maybe just get rid of the tiny part. I also like how you use the ocean eyes to help tell which character is talking, but I've read a lot of things where one of the main characters has ocean eyes, so maybe pond or lake, or something like that (Ok, I admit that might just be a personal preference XD)? For titles I have a couple ideas : Your Rings Are Muffled Now, Our Shadows, Intertiwined. Hope that is good, sorry this critiqe is shorter but I hope it was helpful, bye! -thewitchofjam

The topics themselves aren't considered new or old. The “(New posts)” thing appears when someone has posted something on that topic and you haven't seein it yet.
When a topic has been up for 10 minutes, but you haven't seen it yet, it'll say “(New posts)”.
When a topic has been up for 1 minute, but you clicked on it and there's been no new posts since, it'll not say “(New posts)”.

Chrome-Dog wrote:

But the thing is, Even if i click on post witch is new when its been up for 10 minutes or smth, its still new when others i havent clicked on been 1 minute, its already old.

If thy post hath been edited, it arises to thy top.
(When a post/topic has been edited in any way (moved, edited, deleted, etc.), it shows up as the “last post” on the front of the home page. This is likely why there's an old post as the last post.

TeknoGam3r wrote:

MythosLore wrote:

i have seen questions frequently about “why are some minor swears allowed?”, so i feel like i should add this, but i am wondering how i can do this without bypassing the censor.

thoughts?

hmm maybe add a * in the words (although it might by pass the sensor)

i could do that, but that feels like bypassing the censor (and it would look a bit weird if i had asterisks inside of words on this directory). i'll probably (later) try it with no words at all.

An Wonderous, AMAZING studio all about caves! I think it is worth featuring! check it OUT!
Have a nice day!

Press This

when green flag clicked
say [Caves got featured!] for (2) secs
move (CELEBRATION) steps

Do you like fun horror games? Well, good, because a new project by Carrot Giygas is quickly getting attention. Go ahead, try it! It really helps!

https://scratch.mit.edu/projects/955173241

I need help to stop my sprite's Idle Animation when they are using a move. I want it to go back once they are done with their move, here is the code:

define (Idle Animations)

forever
repeat until <key [ any] pressed?>
switch costume to [ Idle]
wait (0.1) secs
next costume
wait (0.1) secs
next costume
wait (0.1) secs
next costume
wait (0.1) secs
next costume
wait (0.1) secs
next costume
wait (0.1) secs
next costume
wait (0.1) secs
next costume
end
wait until <<not <key [ any] pressed?>
wait (5) secs
end

Thats the code for the Idle animation. Thank you

I’m actually with my friends right now—but I’ll do inviting ASAP—in a few hours, maybe.

is this code how you make a report detector? /\
|
|
|

~ Meet Me in the Back, and You'll Find Out Why ~ Detroit: Evolution Fan-Fiction Poetry Anthology (2000 words including introductory note)

Author’s Note (optional, not included in word count):
One of my favorite works of asexual representation, Detriot: Evolution’s portrayal of Nines and Gavin’s relationship is phenomenal— everyone needs to see this short film. I’ve rewatched this film on repeat a million times (this is not hyperbole). I hope I did the fandom justice with this series of twelve poems, alternating between Gavin’s and Nine’s perspectives.
The titles of each poem in this anthology come from a lyric straight out of each song on Jack Stauber’s Pop Food album. The song associated with each lyric is listed below:
“You cut me to size” — Buttercup
“It’s negative attention at best” — Oh Klahoma
“Harmony destroyer” — I Love You Verne Troyer
“Can I breathe you?” — Koi Boy
“Meet me in the back, and you’ll find out why” — Dog Nightmare (my favorite on the album!)
“The ringing of silence” — Bothersome
“Leave my mind” — Safe Socks
“Tug the pull string” — My Plea
“I mend the heart with practice” — Lynn
“Swing with a soft decay” — I Understand
“Fireworks and cinnamon gum” — Candy Eyes
“I’m back to town and I miss you” — Look On (hidden track)

Special thanks to @Sunclaw68 for teaching me how to format this! In my last poetry anthology entry, I also did structure poetry, but I was quite limited by the scratch forums formatting tools, so Sun's image technique really helped me out here

While this anthology can be interpreted and understood without prior context of the film, here are some brief bits of context that may lead to a more canon interpretation (and additional definitions of allusions, technical jargon, and idioms that may help certain readers):

**Spoiler’s Ahead!!**

You Cut Me to Size (Gavin’s Perspective): The anthology starts with this poem, which essentially establishes the banter-filled dynamic between Nines and Gavin. Gavin’s go-to nickname for Nines is “tin can,” and, in return, Nines calls Gavin “meat sack.” “Cyberlife” is the place where all androids are built. “Thirium” is basically the blue blood of an android. “Deviancy” is the term for when androids break free from their programming and have their own consciousness. “Frankenstein-esque” is an allusion to Mary Shelley’s Frankenstein, which is a monster made out of various parts that come alive through the use of electricity. Dark coffee is mentioned in this poem because Gavin’s favorite drink is coffee.

It’s Negative Attention at Best (Nines’s Perspective): This poem is about Nines rebuking Gavin’s worries that Nines might be into Ada (a female android). According to the film, “androids are built to be aesthetically pleasing,” but that doesn’t mean androids have an attraction towards one another. Sleepless nights and paranoia refer to Gavin’s nightmares (elaborated more in “Meet Me in the Back, and You’ll Find Out Why”). “Sugar and cotton” refer to Ada’s blue eyes, while “panic and late-night caffeine” refer to Gavin’s hazel eyes. Secrets made of “shame and bone” is a reference to the idiom “skeletons in your closet/cupboard/etc.” — skeletons are typically associated with secrets and shame. “I feel nothing for her” is a paraphrased quote from the film.

Harmony Destroyer (Gavin’s Perspective): This poem is a haiku, which consists of five syllables in the first line, seven syllables in the second line, and five syllables in the third line. Authentic haikus almost always discuss some form of nature, hence the metaphor with gas (and also the parallel discussion on human nature). This gas metaphor is especially fitting as the poem’s message is a reference to the scene in which Gavin and Nines are in the car together waiting to apprehend a suspect; while they wait, they talk about relationships and romantic attraction, and Gavin reveals that all of his past relationships failed because they leave him as soon as things get bad.

Can I Breathe You? (Nines’s Perspective): In the game, the RK800/RK900 models have simulations called “Zen Gardens” — these mind gardens are the place where these androids process all their information. In Nines’s particular case, his garden also has an imagined version of Gavin (who always wears a white T-shirt in the simulations), a notable bridge, and flowers. The reference to a firing squad is a play on words in how neurons “fire” when they go off. “Neural networks” is a type of machine learning in computer science, “augmented reality” computer-generated graphics being placed in the real world, “binary” is how computers store data through 1s and 0s, “sandbox” is an isolated environment to test software, “firewall” is a type of security measure, and a “byte” is a way of measuring chunks of binary. The last stanza is a reference to how robots can’t smell anything— the best they can do is predict how things smell through inference. The reference to leather jackets refers to Gavin’s typical outfit in the real world.

Meet Me in the Back, and You’ll Find Out Why (Gavin’s Perspective): This poem refers to Gavin’s nightmare scene, in which Nines rushes into his bedroom after Gavin has a nightmare of dying in the snow outside of the Detroit Police Department. Carriers in bloodstreams circulating is a play on words— blood circulates in the bloodstream, and blood cells carry nutrients to body cells. Alternatively, (news) carriers circulate information through the publication of circulations (aka newspapers). “head(board)stone” combines the two words, “headboard” and “headstone” — a headboard is the back piece of wood of a bed, while a headstone is a stone placed on a grave.

The Ringing of Silence (Nines’s Perspective): This poem refers to the argument Gavin and Nines have outside of a bar. The argument ends with Gavin telling Nines that he doesn’t need him (“I don’t need you” is a direct quote from the film). The final lines can be interpreted metaphorically with plays on words, or as oxymorons.

Leave My Mind (Gavin’s Perspective): Immediately following the argument, Nines walks Ada back to Jericho, only for Ada to ambush Nines and cause his operating system to shut down (it takes thirty seconds for his operating system to shut down). “Silicon” is hypothesized to be one of the main materials used to create android skin (according to the fandom). At the end of the scene, the DPD arrives to send Nines to the hospital. At the hospital, Gavin regrets that his last words to Nines were “I don’t need you.” The homophones used for lines 24-27 refer back to the oxymorons at the end of “The Ringing of Silence.”

Tug the Pull String (Nines’s Perspective): While Nines is in a coma, he is trapped in a corrupted version of his mind garden. Despite this, he can hear Gavin’s voice in the real world (additionally, “your voice broke through” is a paraphrased quote, “you’ve got the real thing up there” is a direct quote, “this mind garden could be rebuilt into an amusement park” is a paraphrased quote, and “a force you can’t live without” is a direct quote). To break out of his coma, Nines destroys his mind garden to start afresh. “Monet garden” is a reference to the artist Claude Monet, who was famous for drawing gardens and flowers. “Dali wasteland” is a reference to the artist Salvador Dali, who was famous for drawing bizzaro scenes.

Swing With a Soft Decay (Gavin’s Perspective): This poem follows the Petrarchan sonnet form, following an ABBAABBA CDCDCD rhyme scheme; the octave stanza establishes a problem, while the sestet stanza provides relief to this problem (the jump between these stanzas is called a “volta”). Sonnets are typically written to emphasize themes of love; additionally, the poem follows iambic pentameter, with a total of ten syllables that alternate between unstressed and stressed syllables. This poem uses perfect rhymes to stay as true to an authentic sonnet as possible. This poem refers to the scene in which Gavin and Nines reunite, which ends with their first kiss as they embrace each other.

I Mend the Heart With Practice (Nines’s Perspective): This poem could be canonically interpreted in multiple ways; either as a reference to Nines freeing Ada by allowing her to deviate or as a reference to Nines finally showing Gavin what it truly feels to be loved. “Give me a second” is an idiom that is used to ask someone to pause for a moment. “Olive branch” is a common symbol used to represent peace. “Boiling water” is a reference to the idiom of being “in hot water,” which means to be in trouble. “Commands of a script” is a computer science term; a script refers to the text file that runs when executing a program, and commands run a certain section of a script. This could also be idiomatically interpreted as “stick to the script,” in which someone continues with their initial plan/direction.

Fireworks and Cinnamon Gum (Gavin’s Perspective): This poem’s five parts refer to the five senses of sight, touch, hearing, smell, and taste. The metaphor of fireworks in the first part of the poem refers to the Fourth of July, the day in which America declared its independence (it’s celebrated to establish patriotic loyalty to the country… sigh, Americans…). This poem is loosely based on the ending of Detriot: Evolution, in which Gavin tells Nines on the rooftop how his life has changed for the better after meeting him.

I’m Back to Town and I Miss You (Nine’s Perspective): Hey! It’s a six-word story/poem. I made use of the title to help extend its meaning; using the title as the first line of a poem is loosely based on Emily Dickinson’s poetry (though, she never actually did this in her poems— her editors designated the first line of her untitled poems to be the title to her posthumous poems). This poem references back to Nines’s and Gavin’s teasing dynamic with the word choice of “bet.”

Hi, Krm! I can't go notifying campers/sending a welcome message as it's getting late over here innthe UK, but I'll do it when I wake up tomorrow

Chloe - my pref is always!

k0d3rrr wrote:

Scratchbeginner5669 wrote:

skekanatat wrote:

-anti-

i love the design of this fellow
but if the data.pak started accepting members again they definitely wouldnt trust what anti says

Digit (the founder and current owner of Code Club): “If the Data.pak won't let them join, the Code Club will. They're always getting new members, and so far, no-one has complained.”
Note: This is only a quote.


Also I didn't know that Digit had a name.

-RobinJasmine- wrote:

OH MY GOSH THIS IS AMAZING- Also they're programmed to delete malicious programs??? Well looks like Kris is in trouble

GWEHEGHEEJEJEHJEJEHJ THANK YOU!!!!!!!!!!!!! *melts into a puddle of goo* im happy you guys like their design!!!!!!!!!!!!!!!

oh yeah some people are in trouble now… tee hee laughs in evil way……

p-p-p-p-p-p-p-p-p-p- wrote:

I know it’s probably out of range for this year, but I believe changing the navbar to blue is a rather easy and funny change that won’t really affect anybody.

Except for those who benefit from the purple color due to visual impairments.

CAMPER LIST!
I did my best to make it even and stuff, but my method isn't perfect so yeah… However, backup campers will open, and hopefully we can get a few more campers to even it out just a bit more

Writing Campers Minute Goal Memory Book Pref
Chloe {} @Smartypantschlo 600 Always
Starry {} @Oh_My_Star_Clan 250 Always
Lily {} @stvrriii 1000 Always
Kats {} @Bookforest 120 Ask First
Faith {} @ReadWriteSing 300 Always
Nom {} @-1circle- 240 Always
Emmet {} @Mr-Catstronaut 120 Ask First
Mouse(y)/Skylar {} @-Bookdragon- 1000 Always
Kenzie {} @kindhrts- 240 Always
Mira {} @MiraO_20 180 Always
Ember {} @Code_kid5619 125 Always

Writing Total Minute Goal:
4175
Writing Campers:
11

Art Campers Minute Goal Memory Book Pref
Elegy {} @Eternal-Elegy 150 ?
Bella {} @CatrecuersIRL 120 ?
Eevee/Elle {} @AmazaEevee 900 Ask First
Crow {} @Crowsauiy 180 Ask First
Ivy {} @Nightstream_WC 120 Ask First
Hazel {} @-Bluehaze- 720 Ask First
Chuey {} @ChueyTheCat 360 Always
Fern {} @Fern_Skull 240 Ask First
Luna {} @–Artsy_Girl– 1000 Ask First
Violet {} @dolphin786 360 Always

Art Total Minute Goal:
4150
Art Campers:
10

Music Campers Minute Goal Memory Book Pref
Krm {} @Krm271Krm271 400 ?
Skylar {} @Milkysplash 240 Always
Wysp {} @WyredWolf 120 Always
Ollie/Olle {} @CraftyCat527 240 Always
Kat {} @Starunicorn_5 600 Ask First
Katie {} @Speaknow_12 200 Always
Kiki {} @kk50662 199 Ask First
Owen {} @HipHopPottimus 300 Ask First
Herm {} @HermioneVoiceActress 360 Always
Mia {} @nerdyme2 120 Always
Witchofjam {} @TheWItch_of_Jam 1080 Always
Cleo {} @unicorngirl12456 120 Never

Music Total Minute Goal:
3979
Music Campers:
12

Invite your campers as soon as you can, as I plan on starting camp at 8 pm CDT tomorrow. If you need a good message as a guide to inviting campers, let me know.

On another note, please let me know your cabin quote, colors, and cabin theme (medival fantasy theme, can be something like a dragon, a knight, etc. etc.) Thanks!

Platypus_WKeyboard wrote:

HexagonWorld wrote:

Fully prepared for Dot and Bubble to be one of those Doctor Who episodes that has a very important Message but falls flat on its face.

It'll be like that wifi episode, or the Idiots Lantern.

Still haven't gotten over the awful ending of Idiot's Lantern.

Also, we have a new trailer!

k0d3rrr wrote:

Scratchbeginner5669 wrote:

k0d3rrr wrote:

If only they were real…
-the image-

Crispy!
could this ringmaster dude start a business with crispy dave though and sell these equally as crispy chips

To be honest, they could, and they would.

i want the dave crisps………..:.

HexagonWorld wrote:

Fully prepared for Dot and Bubble to be one of those Doctor Who episodes that has a very important Message but falls flat on its face.

It'll be like that wifi episode, or the Idiots Lantern.

7salad3salad wrote:

Skadoodly wrote:

ajsya wrote:

Skadoodly wrote:

7salad3salad wrote:

St_Pupcake wrote:

Shark just tried to murder me again, and just declared that the non pvp zone in Mantisburgh was void? Who gave him this authority? He’s just targeting me because he’s too afraid of everyone else in my nation. Just keeping you updated. Shark needs to be de opped. He’s broken the rules about 5 too many times.

what rules did he break specifically

No combat is permitted in claimed land unless allowed by the owner (it wasn't)

It's funny how you were the one to hit first.

I would also like to clear the situation up publicly on the forums by saying that the original killing of Wulvie was a mistake (I did not realize that it was against the rules), and I have since made up for it. The killing of Shy, even though it happened in Mantis, was justified self-defense because I was attacked by her with an axe. Then of course the last skirmish in Mantis mentioned above was also justified because I wasn't even the one who started it!

I was floating around in the water in Mantis when Skood joined the game. He asked Wulvie whether or not PvP was allowed in Mantis when he saw me. Wulvie said no, it wasn't allowed. 2 minutes later Skood krits me with his sword. This is how the battle started! He broke the pvp rules willingly in his own nation! Later Skood would also shoot arrows at me in neutral Spain as well.

I haven't broken the rules on killing in claimed territories since the first incident.

Nuh uh

there is no way that brother just responded to a well thought out argument with “Nuh uh” this is such a Gen Alpha moment

nuh uh

Come throw shells at a cat!!

for eevee~

I’m just gonna do an overview so this can be quick since the deadline is coming up~ but here we go!
— I really liked the piece! it was super fun to read, and the POV was great fun as well. there were a few points where I was a touch confused, perhaps because I haven’t read the original (which I need to do :0); I guess I’m just not too clear on the worldbuilding, why they’re doing what they’re doing and taking Cheese Junior; perhaps that was intentional as Cheese Junior doesn’t always seem to understand what they’re saying, so some of that is obviously okay, but just a comment or two at the beginning about his confusion might help make that clear if that’s the case.
— another thing I’m not totally sure about is how you’ve incorporated all these ingredients, which is fine, but if something is, for example, a flashback, I didn’t catch that and a tense change would help make that clear.
— other than that, I really loved the piece and especially liked the ending—Cheese Junior’s interactions with the frog and his confusion as to its identity at first was really funny. so great job, and good luck finishing up the weekly! hope this helps somewhat <3

—211 words

two shadows intertwined
❝forever is a long time❞
Two shadows, intertwined.
That’s what we were.
Two of us, intertwined, the moment we saw each other’s eyes; your blue ones, ocean-like, and mine rich brown.
We grew up together.
I saw your hair, your tiny head of poofy blonde hair at the park. Sea eyes wide, shiny, following the soccer ball. Content and alone, your back to the wall. Just watching.
I was the energetic one. I’d pounce and raise my arms to the sky and I’d jump and practically fly. Something in my body was always moving. But you were silent, peaceful, more so than any other girl I’d ever seen in my life. I was mesmerized by your calmness. I walked up to you and lowered myself to the ground. And for the first time in my life, I was quiet, still.
You looked over at me and giggled. A tiny sound, escaping like bubbles.
I giggled, another tiny sound. I tapped your shoulder softly with my tiny fingers.
“Come play,” I said. You followed me. Your hands grasped for mine. Something formed between us, like a rope knot. It tightened the second you touched me, a knot that would never come loose. Two of us, intertwined. Our shadows, spilling on the ground.
Our shadows have never been apart since.
«────── « ⋅ʚ♡ɞ⋅ » ─────»
“Come play,” you whispered, a smile on your face, the same way a sunflower beams at the sun. Your hair was shoulder-length now, years later, and it had grown to ringlets.
I reached for your fingers and let you pull me outside. I’d let you pull me anywhere, I knew that even then. I’d let you pull me anywhere even with my eyes closed and hands tied.
We squealed at the flying birds with the midnight captured in their wings, at the airplanes that left ribbons of white in its wake.
I taught you to raise your hands up to the sky. I taught you to scream, I taught you to depend on people. I taught you to fly.
You taught me to sit. You taught me to stay long enough to see my name in the stars, to see the wisps of clouds. You taught me to listen, to watch, to be.
«────── « ⋅ʚ♡ɞ⋅ » ─────»
Your clear rings of laughter echoed through the hallways of middle school. Your hair rippled down your back in rolling ocean waves.
I noticed your sea eyes were dulling with the weight of burdens. They shone like diamonds with tears, diamonds that carried sadness in them.
I grasped for your hand and offered you a small smile. I saw the whispers of sad begin to fade away with every step we took together. You knew I’d be there. Our hands were still intertwined, our shadows on the ground.
Secret notes passed to each other, silent giggles and expressions across the room, even as we began to be pushed apart by other people. Other people who marched into our lives.
I still remembered you, though. I found you again.
We shared food at lunch.
New friends, new classes, but the two of us were still together.
«────── « ⋅ʚ♡ɞ⋅ » ─────»
You let me cry onto your shoulder that day. That day when the world shattered into glass pieces. When someone broke me into glass pieces, treated me like a porcelain doll.
But you were there, even though you’d suffered worse. Your ocean eyes told me the way the world burdened on your shoulders. But you sat by me, thinking of me. Only me.
You let me cry onto your shoulder that day. I let you cry on mine. Your waist-length ringlets, mine a pixie cut. Your ocean eyes sparkled the same way. Never changing.
“It’s okay,” you whispered. “Being 17 is hard.”
“It’s okay,” I repeated quietly.
I looked at you and realized that a whisper of a smile had made its way onto my face. The kind of smile only you could pull out of me.
I saw you smile too. I could see the shadows of the same sunflower-smile in it from when we were younger.
I’d be okay. I had you there.
Our fingers laced, our shadows intertwined.
«────── « ⋅ʚ♡ɞ⋅ » ─────»
Only years later, we had to say goodbye.
“Don’t leave,” I whispered, anguish in my voice.
You turned to look west. “I have to.”
We both knew you had to. We both knew we had to rip our shadows apart one day. Would they bleed? Would it break us?
Your car shimmered like the tears in your sea eyes as you stared at me. You would be hours and days away.
My hand, reached out for yours.
You touched mine, slowly, slowly, slowly.
Our fingers curled around each other, like a flower’s petals.
Our shadows spilled on the ground.
“I’ll call you every day,” you said.
“I’ll miss you.”
“I will too.”
Tears began to block my vision, leaving only blurry dots. There was a small smile on my face, shadows of sunflowers.
Our shadows broke apart for the first time in twenty years.
«────── « ⋅ʚ♡ɞ⋅ » ─────»
You’re not here in front of me now. Your laugh rings not as clearly anymore, muffled because of my phone.
You reach out towards the camera, a bittersweet smile unfolding.
All those years, the two of us. I was lost before I met you. I found myself because of you.
I reach out to you. I need you. I know I’m nobody without you. You’re nobody without me.
Two shadows, intertwined. We’d be intertwined forever, even if you kept us universes apart.
Two shadows, intertwined.
Two shadows, intertwined.

Fully prepared for Dot and Bubble to be one of those Doctor Who episodes that has a very important Message but falls flat on its face.

quadsoscgotblocked wrote:

can i storyboard sigma

ok show me what you got give me a random storyboard so you can storyboard for like 2a

a

Hello. Crazy theory, and you might not believe me,and the theory is that scratch forums exist. Cool. The problem about them are, some forums might be up for a minute, then lose the role of a new post , but some could be up for 5 minutes and still be a “new post”. Why do this happen? Please tell me.

I am trying to make 2 clones of the same sprite move towards each other, but at the same time I am also using a camera system to allow the player to move around and see the whole playing field. But due to the camera, I can really only use Change X and Change Y to make the clones move. I am having trouble having the clones move towards each other because of this, does anybody have any idea of how to make it so they move towards each other?

Illumilimbs wrote:

7salad3salad wrote:

Skadoodly wrote:

ajsya wrote:

Skadoodly wrote:

7salad3salad wrote:

St_Pupcake wrote:

Shark just tried to murder me again, and just declared that the non pvp zone in Mantisburgh was void? Who gave him this authority? He’s just targeting me because he’s too afraid of everyone else in my nation. Just keeping you updated. Shark needs to be de opped. He’s broken the rules about 5 too many times.

what rules did he break specifically

No combat is permitted in claimed land unless allowed by the owner (it wasn't)

It's funny how you were the one to hit first.

I would also like to clear the situation up publicly on the forums by saying that the original killing of Wulvie was a mistake (I did not realize that it was against the rules), and I have since made up for it. The killing of Shy, even though it happened in Mantis, was justified self-defense because I was attacked by her with an axe. Then of course the last skirmish in Mantis mentioned above was also justified because I wasn't even the one who started it!

I was floating around in the water in Mantis when Skood joined the game. He asked Wulvie whether or not PvP was allowed in Mantis when he saw me. Wulvie said no, it wasn't allowed. 2 minutes later Skood krits me with his sword. This is how the battle started! He broke the pvp rules willingly in his own nation! Later Skood would also shoot arrows at me in neutral Spain as well.

I haven't broken the rules on killing in claimed territories since the first incident.

Nuh uh

there is no way that brother just responded to a well thought out argument with “Nuh uh” this is such a Gen Alpha moment

the skull emoji didn't show up

How about we call it even

Welcome to Bowser's true home in hell with this impossible level:
Title: Buzzy InfestationDescription: A traditional style level about buzzy beetles and cool ways to use them. Tags: Standard, Experimental, Challenge

lapisi wrote:

DuWeido wrote:

(#5913)

7salad3salad wrote:

Guys, how would everyone feel about me making a new MC topic? This one is getting big and can be slow to load, additionally the current owner is inactive, thus meaning the news section isnt being updated.

How about we get to 300 pages

nope too laggy

That's literally 4 more pages